How To Win NaNoWriMo in 15 Days

     Last year, I won NaNoWriMo with a couple days to spare, and I was pretty proud of myself.
     THIS year I won NaNoWriMo in HALF the allotted time, and I felt pretty darn great, I tell you what.  Unfortunately I didn't finish my novel in time (I'm too damn long-winded), but I walked away with a certificate and a smile and a good portion of a first draft for a story that I'm really into.
     Of course, if I kept the secrets to my success a secret, it wouldn't exactly behoove all of you writers out there, wondering how you can get not just your NaNo Novel, but ANY of your fast drafting on even faster, so I'm here to spill the beans and teach YOU how to blow the fishes out of the water with the power of your magic writey-downer abilitations.*
     Here's eight tactics YOU can use to win big fast!

*not a word.

  

1.  Cheat

     Okay, so not cheat, exactly, but sort of???
     See, what allowed me to win so quickly was the fact that on the first day of NaNo I was able to log 11,518 words.  No, it's not because I'm some sort of superhuman (I mean, I am totally some sort of superhuman, but that's not how I was able to write so much).  My secret?  I took NaNoPlotMo VERY seriously; I outlined like hell and scribbled down every note and spare thought I had, fleshing out the first half of my novel so vividly that half my job on day one was essentially copy-paste-expound-upon.
     This also meant that, for the first half of my novel at least, I had a clear idea about where I was going, who my players were, etc, so once I hit the ground I hit it rolling, fullspeed downhill with a fire on my ass.
     This is sort of cheating, yes, because all the WRITING is supposed to be done during November, but taking extensive notes is just an expected part of October for us NaNoers, and no one is looking over your shoulder raising their eyebrow at you for "thinking too much," so you do you and take as many notes as you want, comrade, it's your journey and can't no one tell you how to climb that mountain but you!
     (Also, no one can tell you not to write tons of run-ons in your first draft.  NO ONE.)

2.  Don't Look Back

    This is just one of those old classics of the NaNo experience, but still SUPER helpful.  Like, so helpful oh my God, I spent most of last year's NaNo just LEARNING this one, and it's helped in all my drafting since; don't go back and reread.
     It's tempting, I know!  But you must resist the urge.  Go back a chapter or maybe two if you need to at the start of the writing day, to try to kickstart your creativity, remember where you left, etc., but don't go any further back and do not, I repeat, DO NOT, I REPEAT AGAIN FOR FURTHER EMPHASIS, DO.  NOT.  EDIT.  
     I know those words are being real shitlords--they're screaming at you, begging you to come fix your mistakes, taunting you with your imperfections, but don't do it!  It will only slow you down, it could lessen your word count (which is all well and good during editing season, but not when you're drafting, ESPECIALLY not with NaNoWriMo), and you'll lose all your momentum.  Even if you're suffering from a block, you'd be better off getting up and going for a walk, or reading, or watching an hour of TV than risking a trip into the bog of edit hell.
     Don't even look back for details--if you forget a detail, make it up, you can always fix it in post.  And hey, who knows, maybe you'll like the new way better!
     Just, in general, if you can possibly help it, don't look back.  The time for looking back is not while your chainsaw is half-way through the lonely housewife's torso; the time for looking back doesn't come until the last grudge match has been settled and your bloody trail of carnage and slaughter finally matches the tale of woe and revenge set down in the notebook you made to look like that one from Deathnote.  That's when you bust out the bleach and start checking IDs.

3.  Don't worry about POV

     This year, I couldn't decide if I was writing from multiple third person limited or from third person omniscient.  Last year, during Camp NaNo I kept slipping into second person POV, too, and randomly switching tenses.
     This is pretty normal, we all do it to some degree, some more than others--our brain will just randomly switch gear and suddenly a third person story has six paragraphs of "I went to the store today" slapped in the middle.  Don't sweat it.
     This is another thing that can be fixed in post.  If you're not sure what POV you even want the story to be in, just write.  Write whatever comes to mind and deal with the aftermath later.
     That goes for tenses and shit, too.  Just don't worry; again, it can all be fixed in post.  Right now, the most important thing is to get that story out of your goddamn body before it has the chance to escape in a less palpable form, or takes hold of your brain and drives you MAD.

4.  Big casts help

     I'm not saying that big casts are the answer, or that they're right for your particular story, and I'm DEFINITELY not saying that every story needs to be an ensemble.
     What I AM saying is, I had a big cast this year (both years.  I'm a fan of large casts.  Sue me) and it really helped keep my juices flowing--I had a lot to work with, a lot of subplots to dive into, and any time I couldn't figure out what my MC's next move was, I could cut to some of the more minor characters and talk about a subplot for a chapter or two, which allowed me the time to let my MC ruminate on his options and decide what to do next--and, sometimes, for new characters to invent themselves.
     And of course, while writing my MC's scenes, I was able to work out what my side characters were doing, etc., etc., which makes for a good process most of the time.


5.  Set a big word count and follow that shit

     After my eleven thousand word victory I was like HELL FUCKING YES
     But I knew I had to keep working--I told myself that I would write at least three thousand words a day.  I didn't, of course, but I tried to; some days I went over, some days I went under, but because I was so far ahead, it wasn't any problem--even if you don't get off on the huge side of the bed the first morning of NaNoWriMo, exceeding the normal goal is a good thing to shoot for--maybe you write two thousand words a day instead of 1667, maybe three thousand, maybe five thousand!  Whatever you can handle, do that and do it consistently; that way if something happens and you're under one day, it's no big deal.  If you do it enough and for some reason you have to skip a day, again, you have some room under you, no big deal.
     BUUUUUTTTT.....

6.  Don't skip a day

     If you can help it, don't skip.  I know you have those pretty little days' worth of word credits saved up from all your SUPER DUPER WRITE-TASTICNESS, but do your best not to let them get to you.  If you take that day off, it's going to seriously screw with your momentum, which is what fast-drafting is all about.  You gotta go hard bro, 'cause in this game, there's no goin' home.  *Insert Murder Eyes*
     Plus, by skipping a day, your manuscript becomes a little less clear in your mind, details become a little more hazy--if you knew what you were going to do in the next scene, maybe you lose it, or lose part of it, and you risk the dreaded need to (DUN DUN DUUUUN) TURN BACK.  *LOUD MELODRAMATIC GASPING*

7.  Set up a routine that works for you

     I like to work in chunks of several hours at a time, when I can, so I try to get up early and write for a few solid hours before school, before I've expended my creative energy for the day, and then I do my best to squeeze in whatever extra time I can between classes--maybe you work best at night, though, or for fifteen minute intervals throughout the day; maybe the only time you can squeeze it in is while hastily shoveling bologna sandwiches into your chomping maw at the midday hour.
     Whatever works for you, set a time and try to stick to it--then grab whatever extra time you can get your grubby little hands on.  Try to set up a workstation if you can, leave your computer on sleep instead of off so it takes less time to boot up when you feel the desire for a pyre!

8.  Throw shit in there

     Obviously, you don't want to just slam a random thing down for the words, but don't censor or limit yourself.  Use those adverbs and adjectives you're not sure you'll need, you can cut 'em later!; write that introspective diatribe, you can change it later!; give a flashback that explains the entire character that you're pretty sure you'll end up using like four sentences from in the end; you can cut the rest of it later, but at least now you know, and this is a part of fast drafting that, as more of a pantser than a plotter, I love, because now I have all this information about my characters and their lives that I can use later, or not use at all, but at least I can write the character with all this shit in mind!
    And my wordcount is boosted, and no one got hurt**, and all is well.

**Except for all those people you murdered on number 2.

5 Reasons Your Story Isn't Working

     Sometimes a story just doesn't work.  You're typing along, lalala, story story story, and then suddenly, BAM you hit a wall!  Then it's goodbye story, hell-llo writer's block!
     The first step in getting your story back on track is to figure out why you're stuck.  Here are five reasons you may be having difficulties.

1.  You've lost your passion

     Sometimes the spark just goes away.  You lose interest in whatever gave you the idea for this story in the first place, you realize you don't really want to work with these characters anymore, you start to hate the genre it's in--whatever the reason, you lose the will to keep pushing forward.  When you just plain lose interest, it's hard to reignite it.  You could try reacquainting yourself with your story, reworking the plot, throwing in new characters--or you could put it away for a while and see if it calls out to you again later on.  It may have potential, but maybe your gut is trying to tell you something.

2.  You're using the wrong medium

     Some books are made for a Word document, some for pencil and paper, and some for carving into the cliffside with a rusty spoon.
     Different mediums create different actions, different motions, different moods, all of which affect the way you think about your story.  A slow-paced urban fantasy written in heavy dialect might call for longhand, but a fast-paced passionate science fiction tale might need to be hammered into a keyboard.  Try experimenting with different mediums and see if there's something that clicks.

3.  You're using the wrong narrator

     Your narrator should be in the best position to tell the story--they need not necessarily be the coolest character, the most powerful character, the character who ultimately wins, or even a character at all, but they do need to be in the best place to describe the happenings of tale, which means that if they are a character, they need to be in the thick of the action, or in a position to see the story as it needs to be relayed.  If your narrator is off in the background of the story you really want to tell, you should consider either bringing them closer to the action, or making another character the narrator.
     At the same time, if you need to hold certain information outside of the audience's reach, you need to put the story in the hands of a narrator who will either not know this, or have a good reason for keeping it out of the narrative.

4.  You don't yet have the tools or skills you need

      Sometimes there are more complicated maneuvers that a story necessitates which we don't yet have the experience or finesse to pull off, and that inexperience can drag at the story, sometimes causing the tires to blow or bouncing up to break the windshield.  You might be able to get yourself to the point you need to reach through simply pushing yourself through this story, researching what you need to and putting yourself through writing exercises, but sometimes you need to stop, put this manuscript aside, and let it stew while you build your skill level.

5.  You're not telling the right story

     Sometimes there's a really amazing story embedded in a manuscript--"this galactic war is so fascinating," the reader says, "so why are we spending only three pages looking into it while eight hundred are wasted on a forced and cliched romance?"
     If your story doesn't seem to be working, look it over again.  Is there something more interesting, more enthralling happening behind the scenes?  Does some of your world's history or a character's backstory jump out at you as a better read?  Maybe you need to expand upon that, instead.
     Or maybe there's a completely different story out there, waiting for you to come and claim it.

A Few Ways To Elevate Wordcount

     Camp NaNoWriMo has come, and if you're anything like me, you may be throwing yourself whole-heartedly into the fray.  Also like me, you may, at any time of the year, have some trouble meeting your daily word count goals.  But never fear!  TheSpiderWriter is here, and with a few different methods to help you reach them!


1. Hold yourself accountable.

     Yes, yes, this seems fairly self-evident, but for some people it works really well!  Just set a goal for yourself, and take something you enjoy doing, then don't allow yourself to do it until you finish.        Conversely, you can take something you dislike doing, and force yourself to do it if you don't meet your goal--like drinking straight vinegar or (if you're a vinegar-loving freak like me) playing the game you most hate with your most insufferable family member at least once through.
     But if that doesn't work, you can always....


2. Have someone ELSE hold you accountable.

    Sometimes asking yourself to not give in to temptation is just too much; how can you resist the siren song of white chocolate chip cookies?  How can you say no to a dip in your jacuzzi (u successful author superhero u)?  Why would you stick your paper-cut hand into a vat of lemon juice?  In cases like this, sometimes a little external motivation is necessary, which means that it's time to bring in a partner in crime.  Ask someone close to you to do the "holding accountable" for you--give them the key to your DVD chest and ask them never to allow you into it if you can't show them a verified word count first, or have them wake you by dousing you in ice cold water if you didn't meet your goal the night before.
     As long as it gets you working, then it's a success!


3. Pit yourself against someone

     For some people, rewards and punishments just don't work.  Maybe you don't have the resources available to you to make the reward/punishment system feasible, or perhaps you find the rules a little too arbitrary to follow.  Whatever the case, there are alternatives.
     Competition is part of nature, and some of us are more competitive than others; writers are usually very self-competitive, so you could do something like try to beat your record for most words in a month; to make it real, set up a winner's wall where you record your score every time you push the envelope, or a shame space where you record each new low.
     If that doesn't work, ask your friends and family.  There are bound to be other writers in the thick of the it who are looking for the same upper you are.  If there's no one around, hit up Twitter or Tumblr or (spirit of the season!) sign up for Camp NaNoWriMo and spend time competing with strangers.  You never know who might turn out to be a true fiend at the end of the experience, either.
     It's worth a shot!

4. Stay in your lane

     It seems like a silly thing, but make sure you stay within your range.  I mean, it seems obvious if you tend toward high counts not to pick a battle with someone too low, but don't reach too high, either.  Yes, you want someone who's going to challenge you, but not someone who's going to smother you!  I've been the person leagues ahead of another, and as much as I try to encourage my friends, it only seems to hurt them.  You become daunted by the task ahead and give up, feeling that you'll never catch up to the giants around you.
     If your nightly word count is 150, you might want to try to befriend someone whose count is around 200; the competition is more fair and the two of you will be more able to help each other grow and pick up speed.  The same is true of the 4.5--6k range, or the 1--2.5k range; the more equally skilled the players, the fiercer and more beneficial the competition.

     But above all, my wonderful witticising writers, don't forget to keep your expectations of yourself realistic.  You can set all the 100,000 words-a-night goals you want, with all the rewards and punishments and support systems you think appropriate, but all you're going to do is kill yourself.
     Unless that goal is somehow realistic for you, in which case please share with me your secrets, as I, too, would like to exchange this mortal coil for the eternal rewards of deification, and would be happy to offer my companionship as compensation.
     And the rest of you mortals out there, let me know about all your down-and-dirty tricks--it's bound to help someone!

7 Things To Consider When Contemplating Your First NaNoWriMo

     There's a lot to learn every time you put pen to paper.  When you put fingers to keyboard 50,000+ times in a single month, you're sure to learn a thing or two.  My brain's a little fuzzy from all the wordage so I'm probably not including everything I figured out during NaNo, but here are seven things I do remember!
     Fair warning:  Most of it has more to do with the actual NaNoing than the writing itself.

1. November is the best month to write a novel.
   
        November is a perfect month to write a novel.  It's the only month I know of in which hundreds of thousands of people from all over the world are all working hard to accomplish the exact same goal in the exact same frame of time, and writers are everywhere!  Online, IRL, even your relatives become writers during NaNoWriMo!  It's a great time to dive into the writing community, because everyone has something to say, everyone's ears are wide open for advice, and everyone is looking to both support and be supported.
        Really, November is the only month out of the year where writing becomes a truly social event, and it's glorious.
   
   
   
   
2. November is the worst month to write a novel.
   
        Yeah, everyone is writing in November, but everything happens in November.  There are birthdays galore pouring in from the yearly Valentines-day procreation vapors, there are deaths to mourn, Thanksgivings to plan, Black Friday sales to either murder people over or altogether avoid, plans you have to make to see family members you don't want to see (and a lot of exercises in self-control undertaken in order to not to get in any major arguments), long stretches of time where you may not have access to the internet (which, if you're using an online word processor, can be a major set-back), plans to make to talk to family members you do want to see, etc. etc. etc.
        The point is, November is chock-full of Stuff To Do, and it's a real challenge to be able to fit it all in and then pound out roughly two thousand words a day on top.  Like adding sprinkles, only they're made of keyboard keys and make your head hurt.
        (Really, feel free to vent about all your set-back events in the comments.  It can be a tough month to get through, and I know how much it helps to just complain every so often.)
   
3. Fast drafting is like cocaine
        Not that I've ever used cocaine (that stuff on the table's just sugar, I promise), but I've heard some stories and I think the analogy holds up.
        Trying to Fast-Draft like that makes you feel like that guy from Owl City, blending up rainbows and shooting them right through your veins (or your eyeballs, but that's heroin, I guess.  So, Fast-Drafting is like... um.  Don't laugh at me, it's drugs.  Cocaine, Crack, Heroin, Ecstasy, the difference doesn't matter if you're a clean-as-a-whistle word junkie like me wink wonk).
        You're on high, forcing yourself through fifty-thousand tiers of excitement, frustration, bliss, and exhaustion.  You're screaming words into the void, doing your damnedest to make them sound pretty but not really caring as long as they're /out,/ and that feeling of progress is pretty fucking intoxicating.  You want to punch dragons and piss on ogres, and when you're on a roll you feel invincible!... but when you crash, you feel like you fell into a bespiked pit of shit from which there is no exit.  The more you touch that high, the more you crave it--but the longer you go without it the closer you get to being clean; once you reach that point it's easy to give up, get a nice respectable job as a shit-sweeper, and stop dreaming about that old silly notion that you could be a pen jockey.
        I um.  I forgot where I was going with this.  I blame fast-drafting.  *Snorts the sugar on the table and rides away on a horse-sized fountain pen*
        I guess the point is, it's not always easy to tell what's up and what's down once you get in the zone.  You're so focused on the words that nothing else seems to matter, and you want more--which makes it feel so unsatisfactory and so much like drudgery when things get hard.  You really have to either push to make everything come out, or skip around to the parts that make you feel like you're flying.
   
4. There's burn-out
   
        I finished my draft in the very extremely early morning of the twenty-ninth of November (it was like one, maybe two AM, which I still count as the twenty-eighth since I hadn't yet slept), and with 50K under my belt I was ready to see what else I could accomplish.
        "Another ten thousand before November ends!" I said to myself, riding the final wave of endorphins from accomplishing my goal.  "I want this monster finished by mid-December so that I have time to put it away before Edit January begins!"
        December fifteenth is still my goal for finishing.  My goal per day is probably going to continue to be two thousand words a day, but this blog entry is the first real piece I've been able to write since finishing Nano.  "But Maggie, it's only been two days!" you say, and yes, that's very true, my treasured reader.  Insanely true.
        But it's more than that--I can feel this exhaustion looming in the word parts of my brain.  Putting my fingers back to the keys for Captive Stars feels like an overwhelming task right now.  I may need a few days to get back into it--the hope is that spending a few days away will give me plenty of time to turn my gears back to the story.  I've tired of stories before, I've had periods of time when I didn't want to write, but it's been a few years since I've been in a space where the prospect of writing was mentally and physically repulsive.
        The best thing I can suggest for anyone else suffering from burn-out (and I'm sure there's a lot of you; writing a novel is a task of extreme exertion, and our brains can only take so much at a time) is rest.  Put on some nice music, maybe read a book or veg out on TV, take plenty of naps, and try to just let your mind recover.  It did a lot this month, and it deserves a little pampering.
   
5. Other responsibilities will suffer
   
        I'm in line to be valedictorian of my class this year.  Since it's senior year, that's kind of a big deal.  I've been working really hard to keep my grades up, especially important since I'm only taking three academic classes, but I was resolved this year to put NaNoWriMo first--it'll be a lot harder to put those words in once I'm in college, after all.
        So the second marking period ended and, as it turns out, my grades have certainly suffered.  I'm still doing great, just not ME-great.  More like, classmate-great (said the perfectionist to the happy kids).  It got harder to find time to study when I was trying to make time for NaNo.
        It was also difficult to make time for family and friends--I know my mother was disappointed that I wasn't able to help with a lot of Christmas preparations because I was either writing or sleeping (to make brain-room for more writing).
        Was it worth it?  Yeah, I think so.
   
6. After all that goal-holding, it can be hard to continue the novel
   
        Maybe it's all that burn-out, but it feels almost like a drag to keep going now that the rush is gone.  I'm really going to have to find a way to keep myself motivated if I want to be able to edit in January.  It's a little easier to hold yourself accountable for word count when you're competing against an outside goal and there's an ABSOLUTE deadline. At least for me.  I tend to give myself too much lee-way with deadlines.
   
7. Don't go back for information
   
        During NaNo I became very good at just writing and writing and writing--without going back to check for accuracy.  It really helps you to push on through the narrative, resolving to fix it in the editing process; speed's the key and 50K is the lock!  Or something like that.
        Toward the end there (the last three days or so) it almost felt like momentum was the only thing keeping me going.  This ties back into the above--the more momentum I gained, the higher I felt.
   
   

     I wish I had more to share with you, especially after my very long, very sudden hiatus, but my brain is all tapped out.  Maybe I'll have more NaNo tips after Camp NaNoWriMo (which I hope to see you all at in the summer).  

     Fare thee well!

Cup-Stacking

     Last month, as a final for gym, I had to take a skill test.  I had my choice of hacky-sack, juggling, or cup-stacking.  Since I have no idea how the hell you keep a hacky-sack suspended in the air and I don't always have control over my limbs, I of course chose cup-stacking.

     It took me a while to figure out how best to approach the challenge--to get full credit, I had to stack and unstack a three-six-three pyramid formation in under eight seconds.  It was harder than it looked.  I listened to music to help mellow me out a little, and I discovered a marvelous thing; when I let the music carry me, when I followed the cups with my body, I timed a lot better.  It became--dare I say it?--easy.  Simple.  Fun.

     I let my body flow--with the music, with the cups, with my hands--and the fluidity with which it was done brought on improved results.  In writing, the experience isn't much different.

     If you try to force yourself to write without bowing to the word--if you stand stock still and refuse to let your work breathe, you won't succeed.  You need to be willing to experiment with your work, to let things happen as they will, to open your mind to what occurs beyond what you've planned.  Whether you plot your novels or not, you'll find that when you open yourself, when the prose flows through you, the cups will seem to stack themselves, and seconds, minutes, hours, years--they will simultaneously stand still beneath your pen, and fly past you in a sudden rush of inspiration.

     A tree bends in the wind to keep from snapping; to keep your words alive, you'd do well to do the same.